Satoshi Ashikawa's record store was a hub for Japan's kankyō ongaku sceneMusic linernotes album music
Satoshi Ashikawa recorded Still Way at Backpage Studio and Musashino Academia Musicae.Music linernotes album music
Hiroshi Yoshimura recorded Music for Nine Post Cards on a simple keyboard and Fender Rhodes at home.Music linernotes album music
Green isn't a color on Hiroshi Yoshimura's album — it's the entire natural cycleMusic linernotes album music
Brian Eno's Apollo: Atmospheres and Soundtracks came out on EG Records in 1983Music linernotes album music
Brian Eno's Apollo was reissued for the 50th anniversary of the Moon landing with 11 new tracksMusic linernotes album music
Brian Eno and Daniel Lanois co-produced Apollo: Atmospheres and SoundtracksMusic linernotes album music
Apollo: Atmospheres and Soundtracks was composed for a documentary about going to the moonMusic linernotes album music
Labradford's 'By Chris Johnston, Craig Markva, Jamie Evans' scored The Young Pope.Music linernotes album music
Brian Eno's Music for Films: 18 ambient sketches recorded over three yearsMusic linernotes album music
Brian Eno pressed 500 copies of Music for Films for filmmakers before the commercial releaseMusic linernotes album music
Daniel Lanois' All the Pretty Horses score outshone the film it accompaniedMusic linernotes album music
Brainfeeder's roster blurs genre boundaries across jazz, electronic, hip-hop, and experimentalMusic linernotes album music
Brian Eno used tape loops of varying lengths to create Music for Airports' shifting texturesMusic linernotes album music
Harold Budd and Brian Eno followed up The Plateaux of Mirror with The PearlMusic linernotes album music
Eno and Budd's Plateaux of Mirror followed Music for Airports by two yearsMusic linernotes album music
Brian Eno's Musik für Flughäfen translates to Ambient 1: Music for AirportsMusic linernotes album music
Brian Eno wanted Music for Airports to be "as ignorable as it is interesting"Music linernotes album music
