Willie Rust and Joe Macho Jr. joined Leonard Cohen on Songs of Leonard CohenMusic linernotes album music
The Millennium's Begin was one of the first albums to use 16-track recordingMusic linernotes album music
The back cover of Songs of Leonard Cohen features a Mexican religious image found in a botánicaMusic linernotes album music
Stick-Up! marks the first recorded meeting of Bobby Hutcherson and McCoy TynerMusic linernotes album music
McCoy Tyner's The Real McCoy paired him with Joe Henderson, Ron Carter, and Elvin Jones.Music linernotes album music
Maynard Solomon produced Joan Baez's self-titled debut album for Vanguard RecordsMusic linernotes album music
Leonard Cohen's Songs of Leonard Cohen arrived at the end of 1967 on ColumbiaMusic linernotes album music
Led Zeppelin II was assembled in studios across America and the UK while the band toured.Music linernotes album music
Judy Collins played guitar and sang on A Maid of Constant Sorrow, with Fred Hellerman and Erik DarlingMusic linernotes album music
David Lindley and three Kaleidoscope members played on Songs of Leonard CohenMusic linernotes album music
Bobby Hutcherson's The Kicker — his debut as a leader on Blue Note, recorded in 1963Music linernotes album music
Alan Douglas produced Duke Ellington's Money Jungle and suggested the trio formatMusic linernotes album music
Van Morrison shaped Astral Weeks in Boston clubs before recording it in New YorkMusic linernotes album music
Van Morrison recorded Astral Weeks in three days with musicians he'd never metMusic linernotes album music
The Sweet Inspirations' debut was recorded at Atlantic Studios in April 1967Music linernotes album music
The Sweet Inspirations' debut had three charting singles led by Sweet InspirationMusic linernotes album music
New York Tendaberry uses jazz, orchestra, and rock — plus a gunshot on 'Mercy on Broadway'Music linernotes album music
Milton Glaser designed the cover of Townes Van Zandt's For the Sake of the SongMusic linernotes album music
Laura Nyro spent nearly a year recording New York Tendaberry in New York CityMusic linernotes album music
Laura Nyro produced New York Tendaberry using color because she couldn't read musicMusic linernotes album music
Jack Clement apologized for over-producing Townes Van Zandt's For the Sake of the SongMusic linernotes album music
It Might as Well Be Swing was Sinatra's first studio recording with Quincy JonesMusic linernotes album music
It Might as Well Be Swing was Sinatra and Basie's second collaboration, not their firstMusic linernotes album music
George Davis, Deacon John, and Alvin 'Red' Tyler all played on Ann Peebles' Tell It Like It Is.Music linernotes album music
Frank Sinatra recorded It Might as Well Be Swing in four days in Hollywood, 1964Music linernotes album music
Columbia Records released Laura Nyro's New York Tendaberry, her most commercially successful album at the timeMusic linernotes album music
Cissy Houston led the Sweet Inspirations as backing singers for Elvis and Aretha.Music linernotes album music
Ann Peebles' Tell It Like It Is peaked at No. 2 on the Hot 100 and topped the R&B chart in 1967Music linernotes album music
